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Whats My Age Again? / a Milli

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1999 unmarried by Blink-182

"What's My Age Over again?"
WhatsMyAgeAgain.jpg
Unmarried by Glimmer-182
from the album Enema of the Country
Released April 13, 1999
Recorded Jan–March 1999
Genre Pop punk
Length 2:26
Characterization MCA
Songwriter(s)
  • Mark Hoppus
  • Tom DeLonge
Producer(s) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What'south My Age Again?"
(1999) 		"All the Pocket-sized Things"
(2000)

"What'southward My Age Again?" is a song past American rock ring Glimmer-182. Information technology was released in April 1999 as the lead single from the group'due south third studio album, Enema of the Land (1999), released through MCA Records. "What'due south My Age Again?" shares writing credits between the ring's guitarist Tom DeLonge and bassist Marking Hoppus, but Hoppus was the principal composer of the vocal. It was the band'south start unmarried to feature drummer Travis Barker. A mid-tempo pop punk song, "What's My Age Again?" is memorable for its distinctive, arpeggiated guitar intro.

The vocal lyrically revolves around the onset of age and maturity, and the failure to implement changes in i's behavior. Hoppus declined to label the song equally autobiographical, but admitted that he spent his twenties acting immature. The trio recorded the vocal with producer Jerry Finn. Information technology was originally titled "Peter Pan Complex", an innuendo to the pop-psychology concept, but the record label found the reference obscure and adjusted the title. The song's signature music video famously features the band running nude on the streets of Los Angeles. It received heavy rotation on MTV and other music video channels.

Information technology became one of the band's all-time-performing singles, peaking at number two on Billboard 'due south Modern Stone Tracks chart in the U.S. for ten weeks. The song placed at number three in Italy and number 17 in the Uk. Primarily an airplay hitting, the song was the band's first to cross over to popular radio, hitting number 58 on the Billboard Hot 100. The vocal received positive reviews and has been called a classic pop punk runway; NME placed information technology at number 117 on its list "150 Best Tracks of the By fifteen Years" in 2012.[1]

Background and writing [edit]

Bassist and vocalist Mark Hoppus initially composed the song as a joke.

Blink-182, consisting of bassist Marking Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early on 1990s, and by the end of the decade, had reached commercial success with their second album, 1997'south Dude Ranch. Its lead single, "Dammit (Growing Up)", became ane of the most-played U.S. modern rock hits of 1998,[2] sending its parent album to a aureate certification and bringing the members newfound notoriety and wealth. With his starting time advance from major-label MCA, Hoppus purchased a home in the ring's hometown of San Diego, California. Hoppus developed "What'due south My Age Once again?" while sitting on the floor and playing guitar in his kitchen/living room.[3] He was attempting to play the song "J.A.R." past Green Day, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came up with a new song derived from his failure to perform the office correctly.[4]

Though he initially developed it as a vulgar joke song,[v] he felt it had potential every bit a regular melody. Hoppus claims it took him five minutes to write. He later presented the song to the band while rehearsing at DML Studios in Escondido, California, where they had booked time for ii weeks to write new songs.[6] Earlier that year, Raynor had been expelled from the group and replaced with percussionist Travis Barker, previously of the ska-punk act the Aquabats. He and DeLonge institute the composition agreeable and further developed it in the rehearsal infinite. The story in the song is not strictly autobiographical, merely its central theme resonated with Hoppus, who spent his twenties past his own access "acting like a jackass teenager".[vii] Barker agreed, later on commenting: "[Mark] was a grown homo but kept acting like a kid."[6] Many Blink songs eye on maturity—"more specifically, their lack of it, their attitude toward their lack of it, or their eventual wide-eyed exploration of information technology" according to author Nitsuh Abebe.[8]

Limerick [edit]

"What's My Historic period Again?" is credited to Tom DeLonge and Mark Hoppus.[9] Though Barker helped write the songs on Enema of the State, merely Hoppus and DeLonge received songwriting credits, as Barker was technically a hired musician, not official band member.[10] The song is 2 minutes and twenty-eight seconds long. The vocal is composed in the fundamental of F-sharp major and is prepare in time signature of common time with a driving tempo of 158 beats per minute. Hoppus' song range spans from C3 to F4.[11] It follows a I–V–vi–4 chord progression, common beyond several genres of music. The band utilize the progression in numerous other singles; music educator and author Dan Bennett claims the progression is sometimes called the "pop-punk progression" because of its frequent use in the genre.[12] The vocal is incredibly cursory compared to most singles; within one minute, almost two total verses and a chorus have been completed, and it in total runs ii minutes and xx-six seconds.[3]

The vocal opens with a tricky, arpeggiated guitar role, following the song'south chords in playing the root of each chord. The part has been considered catchy to perform; given its quick, articulated nature, information technology can be difficult to skip over the strings properly.[3] Hoppus'southward bass line, which has been compared to the Pixies' song "Debaser",[13] situates on the root notes of each chord.[12] The song's starting time verse item an intimate relationship gone awry. Hoppus sings of wearing cologne in hopes to print a girl on a weekend date. Upon returning abode, foreplay ensues, during which the protagonist begins watching television.[xiv] This prompts his insulted partner to leave, leading into the vocal's chorus, in which Hoppus sings that "nobody likes you when you lot're 23." Hoppus was 25 when he wrote the song, and only included the lyric to rhyme. The song utilizes power chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[3]

Each chorus is lyrically singled-out, which was i of Hoppus's original goals; he felt this arroyo kept the vocal interesting and advanced the story in a artistic mode. Hoppus had once read that "the best art is the development of familiarity": an creative person introduces an idea, a listener connects with information technology, and the artist slightly alters the original idea to retain a familiar feeling.[three]

Recording and production [edit]

"What'south My Age Over again?" was the trio'south first unmarried with drummer Travis Barker.

After further development, the group presented it to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Green Twenty-four hour period'south breakthrough album Dookie (1994). Finn was suggested by the label as an selection for producing Enema of the State; the band got along with him immediately, and continued to work with him on their futurity projects. Finn would suggest and make adjustments where necessary, though in the case of "What's My Historic period Over again?", he had little notes. By the time Hoppus presented the song to his bandmates, the offset verse and chorus were written, with its second verse and bridge section needing further work. Hoppus and DeLonge crafted an instrumental bridge that went on for eight measures, which all agreed felt besides long.[iii] Finn assisted in shortening the department, and the group recorded a demo at DML Studios.

Within the new year, the grouping recorded the song proper. The drums on Enema of the Land were tracked at Mad Hatter Studios in North Hollywood, a infinite in one case owned by jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, as well equally picking compressors and at which rate they would run.[iii] Barker recorded his drum portions, as well equally the residuum of the anthology's twelve songs, in viii hours.[15] From there, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[9] The ring brought in session musician Roger Joseph Manning Jr.—best known for his career in the band Jellyfish and piece of work with Beck—to add keyboard parts in the background of the song.[16]

The song originally concluded later on its terminal chorus. While recording, Hoppus liked how the arpeggiated chord progression connected over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this element. In the pre-digital recording environment, this required the team to "bounce" the mix from the analog tape recorder (a 24 rail 2-inch tape) to another tape, and splice the recordings together. With recording complete, the vocal was sent to engineer Tom Lord-Alge, who mixed the vocal at his Southward Embankment Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would work with the group frequently in the future. Lord-Alge added subtle touches, including a panning issue for the title phrase in the last chorus.[3]

Release and nautical chart operation [edit]

The song's title originally referenced fictional children's character Peter Pan.

The working title for the song was "Peter Pan Circuitous",[18] referencing the pop psychology concept of an adult who is socially young. Executives at MCA Records were uncertain that listeners would connect with the championship, given information technology goes unmentioned in the song's lyrics. Previously, the label had appended parentheses to its two stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything's Gonna Be Fine)". The label was besides concerned virtually litigation from the Walt Disney Visitor, who held rights to the name post-obit their film adaption.[3] The ring disliked the proffer,[19] only given the artistic freedom MCA had afforded them throughout recording, agreed to the change. Hoppus afterward conceded the new championship made more sense and "feels correct".[iii] Band management and characterization executives saw a stiff single in "What's My Age Again?" although DeLonge felt otherwise: "I didn't understand it, considering up to that point, we hadn't had a big single."[nineteen]

Commercially, "What'south My Historic period Once more?" became one of the ring's all-time-performing singles. Information technology was picked every bit the lead single from Enema of the Country. It was kickoff serviced to radio in Apr 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the grouping were finalizing mixing the album when the song debuted.[twenty] The vocal did best on Billboard 's Modern Stone Tracks nautical chart; the song first entered the chart during the week of May 8, where information technology debuted at number 21.[21] It starting time hit the summit five during the calendar week of June 5,[22] and hit number two on July 24,[23] where it remained for ten weeks backside the Red Hot Chili Peppers' "Scar Tissue".[24] The song crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] It afterward peaked at number 58 in the issue dated October 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September 11.[27] In the United Kingdom, the song was released twice, starting time on September 20, 1999, and again on June 26, 2000, following the success of "All the Small Things.[28] [29] The 2000 re-release peaked at number 17 on the Britain Singles Chart.[30]

Critical reception [edit]

The truth is that it was always a little strange for grown men to be writing songs about prom night and other high-school pitfalls, but "What's My Age Again?" works so well considering information technology tackles that strangeness head-on. Aside from featuring Blink's most recognizable riff this side of "Dammit", the song is an honest, relatable assessment of what it feels like to be dragged kicking and screaming into adulthood. It'southward rock and ringlet equally escape, yes, but also as a kind of backpedaling. Let the rock bands of the '70s champion sex and drugs; these guys just want to remember what it feels similar to exist kids again.

—Collin Brennan, Issue of Sound [31]

Carrie Bell at Billboard accounted the vocal a "peppy punk anthem"[7] while Spin columnist Jeffery Rotter called information technology an "ideal tonic for dorsum-to-schoolhouse nausea."[32] A Kerrang! writer chosen the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the vocal as "more mindless, punk-pop guitar thrashing from the world's current favorite American brats ... on the plus side, the song — much similar Blink-182's career, we hope — only lasts for 2-and-a-half minutes."[30] Stephen Thompson, writing for The A.5. Social club, complimented its catchy sensibility, remarking, "yous'll never go broke creating an anthem for immature post-adolescents, even working inside a well-worn genre."[34]

After reviews have subsequently been positive. Jon Blisten of Beats Per Infinitesimal deemed it i of the record's "finest songs," calling it a "twisted, cocky-depreciating examination of man-children."[35] In 2014, Chris Payne of Billboard called it "the quintessential Glimmer manifesto — the story of a twenty-something who still acts similar a child."[36] The website Consequence of Audio, in a 2022 top x of the band's best songs, ranked information technology equally number six, with writer Collin Brennan observing that its title is "the question underpinning the unabridged Blink ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the band running nude down 3rd Street in Los Angeles.[37]

The music video for "What's My Age Over again?", directed by Marcos Siega, features the band running in the nude through the streets of Los Angeles, every bit well as through commercials and daily news programs.[38] Information technology was filmed shortly after completing the album, and was co-directed by Brandon PeQueen. Siega and PeQueen adult the idea from the band's onstage antics; Barker would ofttimes strip downwardly to his boxers due to estrus, while Hoppus would sometimes disrobe entirely, with only his bass guitar roofing his genitals.[39] Siega had known the band for many years at that point, having seen them play small clubs years before.[40] He partially credited the idea to a belatedly-dark talk show segment about a streaker. Hoppus and DeLonge were immediately receptive to the idea; Barker less so. "My brain kept going to the sort of anti-establishment punk rock ethic that I associated them with. Simply not in an aggro way. They always came across to me every bit doing it with a flash," Siega later recalled.[16]

The group wore flesh-colored Speedos for most scenes.[41] The clip features a cameo appearance past porn star Janine Lindemulder, the model featured on the encompass of Enema of the Country.[42] Barker remembered that motorists "kept staring at u.s.a. and honking their horns," and that the entire filming took nearly fifteen hours. "They nearly got into accidents," Hoppus told Rolling Stone.[43]

Popularity [edit]

The video showtime began receiving airplay in early May 1999, debuting on U.S. television channels MTV, MTV2 and The Box.[44] The video was MTV's second-most played video for the calendar week ending August ane,[45] and remained a popular video on the channel for over two years.[46] The video was nominated for Best Alternative Video at the 2000 MVPA Awards,[47] but lost to Foo Fighters' "Learn to Fly".[48] The ring referenced the prune at the 1999 Billboard Awards, which opened with a clip of the band streaking through Las Vegas,[49] as well as through appearances on Total Request Live and the scripted sitcom Ii Guys, a Girl and a Pizza Identify.[50] Amusement Weekly author Chris Willman called the video "ubiquitous".[14]

Marcos Siega, the video's manager, in 2014.

The video gave the band a reputation for nudity,[38] leading many critics to pigeonhole them as a joke act.[14] "It became something of an albatross as band members grew up," wrote Richard Harrington of The Washington Post.[50] "You know, when we were filming the video for "What's My Age Again?" the whole naked matter was only funny for like 10 minutes. And so, I was the guy standing naked on the side of the street Los Angeles with cars driving by me giving me the finger and shit. Information technology'south funny watching the video now, only at the time, it stopped beingness funny ten minutes in, and it definitely wasn't funny 3 days into it," recalled Tom DeLonge.[38]

This reputation would lead the band members to take control of their marketing and epitome, equally DeLonge afterwards commented in 2014:

We were so naïve that we would run around naked, but they'd brand it all glossy and put it on posters and go far look like we really were some kind of erotic boy band or some shit. We were coming from the punk scene, only the label fashioned a whole thing around us that we didn't even understand; we were simply kinda caught up in it. And then it took us a niggling bit to dig out of that and come back to who we actually were. And it's hard to do that in one case people spend millions of dollars making you into something visually that we weren't.[51]

Legacy [edit]

"What's My Age Again?" has endured every bit among the band's virtually pop songs, and has widely been considered a watershed moment for popular punk as a genre. Several of the group's contemporaries ranked the song amongst the most genre's nigh influential, including Jack Barakat of All Time Low, Pierre Bouvier and Chuck Comeau from Simple Plan, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 's Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink'southward irreverent, upbeat take on punk rock with hits similar "What's My Age Again?" and "All the Small Things" was hugely influential."[53] Twenty years afterward the vocal'southward release, Hoppus noted that fans often decorate birthday cakes on their 23rd birthday with the lyric "Nobody likes y'all when y'all're 23", which he felt was an honor.[3] The band afterwards paid homage to the vocal's infamous video in the music video for their 2022 single "She's Out of Her Listen". The clip sees modernistic-twenty-four hours social media personalities running in the nude in Los Angeles. Lindemulder's place in the video was taken by role player and comedian Adam DeVine.[54]

The Hollywood Reporter 'southward Mischa Pearlman, in a review a 2013 concert by the group, wrote that the vocal "visibly infects every member of the audition. Considering it's a song that recalls the reckless carelessness of youth, and the carelessness of growing up."[55] Although the magazine gave the song a scathing review upon its initial release,[thirty] NME placed it at number 117 on its listing "150 Best Tracks of the Past 15 Years" nigh thirteen years afterwards, writing, "Few songs capture the urge of wanting to deed stupid and exist immature also as this 2000 unmarried does. [...] This is everything pop punk does well. Its guitar riffs seem to accept been soaked in Relentless and its chorus makes you want to jump effectually the room. It's been imitated thousands of times since, but nothing'south come close to this..."[56]

By the late 2000s, society promoters in the U.One thousand. created nights based effectually lasting appreciation of the pop punk genre, including one named later on "What's My Age Again?", described as a night celebrating "pop-punk, youthful carelessness and teenage anarchism".[57] British radio station BBC Radio ane take a section on one of their shows named after the single and using it as the theme song. Greg James originated the game on his drivetime show, and has moved it to The BBC Radio one Breakfast Show. The game sees Greg pitted against an opponent, typically a fellow Radio ane DJ/presenter or celebrity guest. In the game, three listeners telephone in and talk to the competitors, who have it in turns to ask questions, then try to gauge the listeners' age.

On March 26, 2019, the song was lauded by Princeton professor of music Steven Mackey during an interview between Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics by saying, "it's very much this portrait of this kind of 23 year old... Peter Pan circuitous", noting his enjoyment of the structure of the song, as well as its tone. Mackey stated, "after the 2d chorus at that place's this instrumental break. And there'south a lot of instrumental breaks in glimmer, which I actually like. This ane in particular, information technology goes to a small-scale cardinal. All of a sudden, it'southward kind of melancholy. And when they come out of that instrumental interruption, and I hear the rest of the words, it's sort of like... I feel like, wow, was that a moment of reflection? And so it'south similar, 'Ah, fuck information technology. Any.' Information technology has that feeling. It sort of deepens it for me."[59]

Mashup [edit]

"What'south My Historic period Again? / A Milli"
Unmarried past Blink-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Popular punk
  • rap rock
Length 2:25
Label Columbia
Songwriter(s)
  • Mark Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What's My Age Again? / A Milli"
(2019) 		"I Actually Wish I Hated You lot"
(2019)
Lil Wayne singles chronology
"Be Similar Me"
(2019) 		"What's My Age Again? / A Milli"
(2019)

In May 2019, the band recorded a alive mashup of the song with hip hop artist Lil Wayne, to promote their joint headlining tour.[60] The track combines "What'due south My Historic period Again? and Wayne'due south 2008 single "A Milli". The duo later released a joint digital single featuring a studio version of the mashup in Baronial of that year.[61] The rails features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing backing vocals and guitar. A press release promoted the new version, which was released to promote the 2nd leg of the same tour, as a "new take on the track."[62]

The Fader contributor Hashemite kingdom of jordan Darville noted that Wayne contradistinct a lyric from his original verse, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the State.[9]
Locations

  • Recorded at Signature Audio, Studio West, San Diego California; Mad Hatter Studios, The Flop Mill, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Beach Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adapted from the YouTube video for "What'due south My Age Again?" / "A Milli". Barker is credited with songwriting on this edition, every bit opposed to his original credits for Enema of the State.[64]
Personnel

Glimmer-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Additional musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Production

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 Best Tracks Of The Past 15 Years". Nme.Com. Retrieved January 12, 2012.
  2. ^ "The Yr in Music 1998: Hot Modernistic Rock Tracks" (PDF). Billboard. Dec 26, 1998. p. YE-84.
  3. ^ a b c d e f yard h i j m DeMakes, Chris (Oct 19, 2020). Chris DeMakes a Podcast. Ep. 21: Mark Hoppus discusses blink-182's "What's My Age Again?". Spotify.
  4. ^ Aniftos, Rania (October 10, 2020). "Blink-182's Mark Hoppus Reveals the Greenish Twenty-four hour period Vocal That Inspired 'What's My Age Again?'". Billboard . Retrieved November 2, 2020.
  5. ^ "Blink-182: Within Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bong, Carrie (August fourteen, 1999). "The Modern Age". Billboard. Vol. 111, no. 33. p. 99. Retrieved June one, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Education". New York. Archived from the original on September vi, 2012. Retrieved September 5, 2012.
  9. ^ a b c Enema of the Country (liner notes). Blink-182. United States: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Blink-182 What'southward My Age Once more? – Digital Sheet Music". Music Notes. EMI Music Publishing. Retrieved April 20, 2011.
  12. ^ a b Bennett, Dan (2008). The Full Rock Bassist, p. 63. ISBN 978-0739052693
  13. ^ "Record Club: Revisiting Blink-182′southward 'Enema of the State'". Wondering Sound. October xiv, 2014. Retrieved December 12, 2014.
  14. ^ a b c Willman, Chris (Feb 25, 2000). "Nude Sensation". Entertainment Weekly. New York City: Time Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January vii, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Abound Up, Blow Upwardly: The Ascension of Blink-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (April ane, 2000). "Tom Lord-Alge: From Manson To Hanson". Audio on Sound.
  18. ^ Hoppus, Marker (2000). Blink-182: The Mark Tom and Travis Show 2000 Official Plan. MCA Records. p. 14.
  19. ^ a b Browne, Nichola (November 20, 2005). "Punk Rock! Nudity! Filthy Sex! Tom DeLonge Looks Dorsum On Blink-182's Greatest Moments". Kerrang!. London: Bauer Media Group (1083). ISSN 0262-6624.
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  25. ^ "Billboard Hot 100 - July 17, 1999". Billboard. Vol. 112, no. 29. July 17, 1999. p. 79. Retrieved June 1, 2014.
  26. ^ "Billboard Hot 100 - Oct 23, 1999". Billboard. Vol. 112, no. 29. October 23, 1999. p. 79. Retrieved June 1, 2014.
  27. ^ "Billboard Hot 100 Airplay - September xi, 1999". Billboard. Vol. 111, no. 43. September eleven, 1999. p. 104. Retrieved June 1, 2014.
  28. ^ "New Releases – For Week Starting 20 September, 1999: Singles". Music Week. September 18, 1999. p. 27.
  29. ^ "New Releases – For Week Starting June 26, 2000: Singles". Music Week. June 24, 2000. p. 27.
  30. ^ a b c Shooman 2010, p. 69.
  31. ^ a b Dan Caffrey; Collin Brennan & Randall Colburn (February 9, 2015). "Blink-182's Top 10 Songs". Upshot of Sound . Retrieved February 14, 2015.
  32. ^ Rotter, Jeffery (Nov 1999). Naughty by Nature. Spin. Retrieved September 7, 2012.
  33. ^ Shooman 2010, p. 68.
  34. ^ Thompson, Stephen (June 1, 1999). "Review: Enema of the State". The A.V. Lodge. Archived from the original on October 22, 2012. Retrieved July 18, 2012.
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  37. ^ White potato, Desiree (June nineteen, 2019). "Glimmer-182 Reacts to Their All-time 'Enema of the State' Videos 20 Years Later on (Exclusive)". ETOnline.com . Retrieved July 31, 2019.
  38. ^ a b c Hoppus 2001, p. 97.
  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Rock Guy". MTV News. 2000. Retrieved March 5, 2015.
  41. ^ "Interview with Mark Hoppus of Glimmer-182". NY Rock. Retrieved March xxx, 2009.
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  49. ^ Shooman 2010, p. 71.
  50. ^ a b Richard Harrington (June xi, 2004). "Seriously, Blink-182 Is Growing Upwards". The Washington Postal service . Retrieved February 25, 2014.
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  52. ^ Kaplan, Ilana (November 20, 2020). "10 Popular-Punk Artists On The Genre's Essential Tracks". Nylon . Retrieved Oct 22, 2021.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Big, Adulterous Death, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-5.
  • Hoppus, Anne (October 1, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Glimmer-182: The Bands, The Breakdown & The Return. Independent Music Printing. ISBN978-ane-906191-10-eight.

External links [edit]

  • Music video on YouTube

hansenwhimints.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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